a5c7b9f00b In a futuristic world, rampant with crime, an experienced police officer is teamed up with a psychic rookie, and they both get trapped in a huge building complex with no communication or help possible from outside, by a large drug gang who is after their lives. The future America is an irradiated waste land. On its East Coast, running from Boston to Washington DC, lies Mega City One - a vast, violent metropolis where criminals rule the chaotic streets. The only force of order lies with the urban cops called "Judges" who possess the combined powers of judge, jury and instant executioner. Known and feared throughout the city, Dredd is the ultimate Judge, challenged with ridding the city of its latest scourge - a dangerous drug epidemic that has users of "Slo-Mo" experiencing reality at a fraction of its normal speed. During a routine day on the job, Dredd is assigned to train and evaluate Cassandra Anderson, a rookie with powerful psychic abilities thanks to a genetic mutation. A heinous crime calls them to a neighborhood where fellow Judges rarely dare to venture - a 200 storey vertical slum controlled by prostitute turned drug lord Ma-Ma and her ruthless clan. When they capture one of the clan's inner circle, Ma-Ma overtakes the compound's control center and wages a dirty, vicious war against the Judges that proves she will stop at nothing to protect her empire. With the body count climbing and no way out, Dredd and Anderson must confront the odds and engage in the relentless battle for their survival. I was very pleasantly surprised by this film. I remember reading the comic as a kid but was put off seeing this by the crappy Stallone version in the 90s.<br/><br/>It is much better than the 90s version and has a quite distinctive tone that stays in the memory long after the movie has ended. Karl Urban is fantastically well cast and becomes the personification of Dredd. I'm tempted to buy some of the graphic novels just to re read the original strips and I suspect that, if I do, I'll hear Urban's voice speaking Dredd's dialogue.<br/><br/>The movie is an excellent piece of science fiction and a strong action packed thriller.<br/><br/>Even if science fiction or action movies aren't your thing the movie is worth seeing on principle. If movies like Dredd are not successful then you'll see less R rated films, less films without A list flavour of the month leads, less independent films with artistic vision.<br/><br/>Or maybe you prefer the idea of a future Dredd film starring inappropriate charisma vacuum walking planks like Brad Pitt or Tom Cruise and his cute puppy sidekick. The future America is an irradiated waste land. On its East Coast, running from Boston to Washington DC, lies Mega City One- a vast, violent metropolis where criminals rule the chaotic streets. The only force of order lies with the urban cops called "Judges" who possess the combined powers of judge, jury and instant executioner. Known and feared throughout the city, Dredd (Karl Urban) is the ultimate Judge, challenged with ridding the city of its latest scourge – a dangerous drug epidemic that has users of "Slo-Mo" experiencing reality at a fraction of its normal speed.<br/><br/>During a routine day on the job, Dredd is assigned to train and evaluate Cassandra Anderson (Olivia Thirlby), a rookie with powerful psychic abilities thanks to a genetic mutation. A heinous crime calls them to a neighborhood where fellow Judges rarely dare to venture- a 200 story vertical slum controlled by prostitute turned drug lord Ma-Ma (Lena Headey) and her ruthless clan. When they capture one of the clan's inner circle, Ma-Ma overtakes the compound's control center and wages a dirty, vicious war against the Judges that proves she will stop at nothing to protect her empire. With the body count climbing and no way out, Dredd and Anderson must confront the odds and engage in the relentless battle for their survival<br/><br/>At last, an actual comic book adaptation. I had my reservations about Dredd – The trailer did little to inspire, which made me think this incarnation might actually be worse than Stallone's horrible campy version.<br/><br/>But I'm happy to report Dredd is very good. Not only did it put my fears to rest, but banished any memory I had of Danny Cannon's Judge Dredd. Finally, the Judge Dredd I grew up reading in 2000 AD comics has been rightly portrayed. With so many great films yet to come, I may have to extend my yearly list because of films like Dredd.<br/><br/>When I heard that Karl Urban was signed on to play Dredd, I knew it was a good move. Urban embodies Dredd, and has his characteristics down to tee. Even the famous Judge Dredd profile looks exactly how 2000 AD artist Carlos Ezquerra used to illustrate the character. Urban is brilliant in this, and I hope he signs on for the upcoming sequels. Oh wait! If they decide to make any sequels! <br/><br/>Lena Headey (Game of Thrones) as Mama does a superb job – she's just a nasty piece of work. Just as her Game of Thrones character but with a bit more bite. In a year where we've had loads male villains, Headey holds her own in Dredd, and puts in a memorable turn as the Mama. Olivia Thirlby offers good support as the daisy faced rookie and the reliable Wood Harris puts in a solid performance as the slimy henchman to Mama.<br/><br/>The story in Dredd is very similar to that of The Raid: Redemption. The two judges have to battle their way to the top, to get to Mama. Although I saw The Raid earlier this year, Dredd holds its own when it comes to the set pieces, which are fast, furious and very violent – but almost comically violent?<br/><br/>Visual effects are stunning. The use of the 3D Phantom camera in the slow mo scenes looks extraordinary. One of the few films this year I would definitely say is worth seeing in 3D. Mega City One looks beautifully Utopian, which is how it should look. I really like the look of this version of Mega City One. Big, tall, monolithic buildings in a harsh, dystopian environment look visually stunning. Mega City One in the original Dredd film had a sort of Blade Runner look to it, which I didn't appreciate as much. <br/><br/>Gone and erased are memories of Stallone torturing Dredd's infamous catchphrase ' I AM DA LAAAHH'! Dredd is an exciting, visceral thrill ride of a movie. Karl Urban puts in one of his best performances as Dredd. The reviews for this have been extremely positive. And I hope the box office viewing public are just as generous. Dredd is faithful to comic book and to its main character.<br/><br/>I've given it lots of praise, but Dredd isn't perfect. It drags in several places to focus too much on character development. Plus the film is much longer than it needs to be. Other than that Dredd is awesome and will definitely deserve a second viewing.<br/><br/>Good performances, action packed and very violent. I recommend you see Dredd, but it may not be for the faint of heart. Grim, gritty and ultra-violent, Dredd reinstates the somber brutality missing from the U.K. comicbook icon's previous screen outing. In the walled city of Mega City One in a post apocalyptic future America where crime is out of control. Judge Dredd (<a href="/name/nm0881631/">Karl Urban</a>), a tough cop who is a member of an elite police force called the Judges, is assigned to supervise the 24-hour training of incompetent rookie Cassandra Anderson (<a href="/name/nm1880888/">Olivia Thirlby</a>) who happens to be a mutant with telepathic abilities. Dredd and Anderson go to the apartment building "Peace Trees" to investigate an incident, but the building is soon sealed off and taken over by the evil and psychotic Ma-Ma (<a href="/name/nm0372176/">Lena Headey</a>), leader of a clan that is manufacturing a narcotic called "Slo-Mo". Ma-Ma declares that she won't allow anyone to leave until both Dredd and Anderson are eliminated. With communications cut off and no help from other Judges, Dredd and Anderson are forced to take on the Ma-Ma clan themselves and the Peach Trees apartment building soon turns into a war zone as Dredd is determined not to let anything stand in his way and to bring Ma-Ma to justice. No. This is an original film based on the Judge Dredd character from the British comic 2000 AD and is unrelated to <a href="/title/tt0113492/">Judge Dredd (1995)</a> (1995), which is adapted from the same source. In the 36 years that Judge Dredd has been appearing in comics, his face has never been shown fully. Most fans agree that never showing Dredd's face helps to make Dredd a personification of justice; he's not just a citizen with a normal face, he's the law, and the helmet is the only face he needs. The faces of Dredd and his clone Rico are shown as young boys in the story The Return of Rico (Case Files vol 1), and the face of their clone Father, Fargo (to whom they should be identical), is shown in Dredd Angel (Case Files vol 8). In parts of The Dead Man/Necropolis (Case Files 14) Dredd's face is shown in full but is obscured by horrific injuries. The Lawgiver from the 2012 film is voice-controlled and its grip has a DNA reader that causes the gun to explode if anyone but the owner attempts to use it. It fires the following types of rounds: (1) Full Metal Jacket, (2) Incendiary, (3) Hotshot, (4) Armor-piercing, (5) Stun, (6) Hi-Ex (High Explosive). In the comics, the Lawgiver has a dial allowing different types of ammunition to be selected and a palm-print scanner in the grip that causes the gun to self-destruct if anyone but the owner tries to use it. It fires 6 types of ammunition: (1) Standard, (2) Ricochet, (3) Heat-seeker, (4) Hi-Ex, (5) Incendiary, (6) Armor-piercing. Later stories have added various extra bullet types, including a stun gun feature, tear gas rounds, "Exorcist Bullets" designed for supernatural foes, and electronic tracker rounds. Before throwing her through the window, Dredd states that he doubts the range of the transmitter would be greater than the distance between the receiver attached to the explosives and the ground floor. His theory is proven correct when she hits the ground and the LED on her wrist goes from green to red, but the bombs are not activated.Open to interpretation. One is that Anderson hands Dredd her badge and walks off convinced she's failed her assessment but Dredd has actually passed her. The implication is that, whilst Dredd is convinced that Anderson has what it takes to be a judge, he leaves it to her to decide if she wants to be. The last scene shows Anderson carrying a helmet and a new gun walking towards the bikes, suggesting she has learned of Dredd's evaluation and decided to become a Judge. Another interpretation is that Anderson chooses not to become a judge, as she hints at beforehand when she frees the hacker. Anderson hands Dredd her badge indicating her resignation and Dredd says, "She's a pass", using the meaning that she passes on the opportunity to become a Judge. She is seen walking away from the scene, and Dredd returns to the Hall of Justice on his motorcycle alone. Yes. Most of the movie is shot in 3D, using RED MX, SI2K, and Phantom Flex highspeed digital cameras, however it also contains some elements that were converted to 3D in post production. The song used in the original theatrical trailer for Dredd is the Skream remix of La Roux's "In For the Kill". The song playing during Dredd and Anderson's raid on the slo-mo den is "Poison Lips" by Vitalic. When the Clan's Techie, played by Domhnall Gleeson, is observing the monitors the song playing is Matt Berry's "Snuffbox" from the TV series of the same name. All other music heard in the film itself is the work of the film's composer, Paul Leonard-Morgan—whose original soundtrack album can be found on iTunes or Amazon. Anyone wanting to know more about the history and psychology of Dredd should seek out Brothers of the Blood and the collected epic Tour of Duty (collected in two books, subtitled The Backlash and Megacity Justice); which both centre much more on the character of Dredd himself and his relationship with the city and his job. Both books give new readers the background necessary to get the most out of Origins—by Dredd's creators, Wagner and Ezquerra—which explores the events that shaped the creation of the city, the justice system, and Dredd himself. Readers seeking Dredd stories that reflect the gritty tone and themes of the film, should seek out The Pit or Total War, the latter of which is a spiritual successor to and continues many of the themes explored in the classic Dredd story America. Tour of Duty covers similar territory to the inter-judicial conflict and mutant prejudice of the film (Anderson is a mutant), and Mandroid depicts Megacity One as the kind of place that crushes the humanity of its citizens in the same manner as the film. Anyone interested in the character of Anderson, featured in the film, can get some background in the series of reprints called The Psi Files. The Apocalypse War (found in The Complete Case Files vol 5) is probably the best of Dredd's epic adventures, and is written and drawn by Dredd's co-creators, John Wagner and Carlos Ezquerra, as is the superb Judge Death epic Necropolis (Case Files vol 14). The Dredd tale which most readers agree represents the best combination of story and art in the strip's history—and which offers a much darker, more sophisticated view of Dredd, Megacity One and the Justice System—is America, by John Wagner and Colin MacNeil; a story whose focus is on the lives of ordinary citizens under the totalitarian rule of the judges, and in which Dredd essentially plays the part of the villain. Dredd first appeared in the second issue (or "prog" as they are known) of the weekly British comic 2000 AD published on 5 March 1977. Judge Dredd's weekly adventures are collected in a series of volumes known as The Complete Case Files (currently 23 volumes). Although there's lots to recommend in Dredd's early output, including classic stories such as The Cursed Earth and The Day The Law Died in volume 2, these early volumes are a sometimes less than ideal place to start reading because of their uneven narrative tone and art style. The Complete Case Files 3 through 5 are, by common consent, the point at which the strip overcame its growing pains and turned into something really interesting—and they make an ideal jumping on point for new readers. The characters of most interest to new or casual readers seem to be Judge Death and the Dark Judges, whose first appearances are drawn by Brian Bolland and can be found in The Complete Case Files volumes 3 and 5, and in the utterly superb full-colour epic Necropolis, which is reprinted in Case Files vol 14 and is written and drawn by Dredd's co-creators, John Wagner and Carlos Ezquerra. They also appear in volume one of Judge Anderson's Psi Files, in a story which serves as a bridge between their appearance in volumes 5 and 14 of The Complete Case Files. The origins of Judge Death are explored in volumes called Death Lives and The Life and Death of Judge Death. The rights holders, DNA films, are no longer actively pursuing the idea of a sequel. In an interview dated 17th December 2014, producer and screenwriter Alex Garland told Sci-fi Now magazine:<br/><br/>[Dredd] manifestly didn't work as a theatrical release, particularly in America, or in fact anywhere outside of the UK. DVD sales are all very well, but you are still talking to people about them handing over a lot of money for a film that's happened twice and has not worked in their terms either time. The character has too many positives to be abandoned forever, but its going to be someone else at some future point who restarts it, who has another crack. It will be a different group of people, at a different point in time
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Updated: Mar 31, 2020